I like this book for what it is: simple and straightforward. To all the people who try to seek deeper meaning and symbolism from this story, I have only this quote from Hemingway himself to offer:
“There isn’t any symbolism. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The sharks are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know.”
Hemingway, despite all his issues, just can’t be denied as a great writer – it’s evident in the sheer amount of storytelling he can do in 120 concise pages. The narrative has always been disappointing to me, but only because we all want the happy ending where he returns home with the marlin intact and is hailed as the village hero. But life is rarely that perfect, isn’t it? This ending is much more realistic, and Santiago nonetheless still gets some recognition when the other fishermen see the skeleton of the marlin on the beach. I always leave it not happy, but satisfied.
P.S. This 1-star review on Goodreads made me laugh out loud:
This is an outstanding collection of essays examining different aspects of our society. I really enjoy Tolentino’s sharp, incisive cultural critique, even if it tends to digress into side topics and lose the original train of thought, and her writing is very distinctly hers. In particular, her writing is dense. She comes off as intimidatingly intelligent and well-spoken through these essays (and she is – she went to UVA and was accepted to Yale) – the kind of writing that makes you wonder if you’re just not smart enough to understand what she’s saying – and doesn’t shy away from tackling complicated topics with sophisticated language and strong opinions. At the same time, she’s quite graceful in admitting when her perspective is limited, whether because she’s young and attractive (not her words, she’s too diplomatic for that), or because she’s Asian and can’t speak to the white experience, etc.
This is not a book to speed through. The density alone prevents that, but even if not for her writing style, her ideas are engaging enough to make you pay attention as well. I particularly liked the essays Always Be Optimizing (The Guardian has an excellent shortened version of it) about the pursuit of perfection by today’s millennial woman, and We Come from Old Virginia about the 2014 UVA rape case and the countless other unreported rapes that occurred on the one campus alone. The book was most readable when Tolentino made it more personal – sharing her anecdotes from being on reality TV and what it was like growing up deeply religious in Houston (I’m from Houston and recognized a lot of the references!). To help on the accessibility front, I think Trick Mirror could have benefited greatly from a paring down. Simplicity is always preferred over convolution. And there’s no need to rehash stories and events that are public knowledge – I was almost annoyed to see retellings of how Facebook was founded and how the 2008 financial crisis occurred.
This is well-worth the read because her life experiences – Asian in a deeply conservative, religious part of Texas, reality TV exposure, Peace Corps in Kyrgyzstan during the coup – give her unique perspectives and she channels them into this furious onslaught of words. But make sure you have the time and patience before you dive in.
P.S. Isn’t the blurb more than a little fatalist though? I mean, “Trick Mirror is an instant classic of the worst decade yet”? And this was published in 2019, before the whole pandemic!
An odd and – dare I say it? – boring little book. The book blurb – glimpses into the lives of ordinary Dubliners – is very accurate…the short stories cover the extremely mundane lives of working-class city folk, and you’d be sorely disappointed if you went in expecting any interesting action.