First off, I just have to say how much I LOVE the cover! It’s eye-catching and fits the subject perfectly…although to clarify just in case, know that this book is not about robots and AI (not directly, anyway), but about Silicon Valley during the growth years.
This was one of my most anticipated reads of early 2020 (can’t believe I posted that in January, seems like a lifetime ago). How’d it stack up? I was maybe a little disappointed by it overall, but it was still an entertaining and informative read.
If you like WWII-era historical fiction, you’ll love this book. There’s romance, political intrigue, LOTS of heartfelt emotion and heartache, and to boot, it’s well-written and fast-paced. It’s told from two perspectives: Alina as a young woman during the war, and Alice in present-day discovering her grandmother’s past, which culminates in an unexpected trip to Poland and a shocking family secret (put that way, almost sounds like Buzzfeed clickbait). The idea behind it is pretty original (to me, at least), and I enjoyed reading it.
This was a fun one. After finishing, I totally understand why a lot of people couldn’t stand it and DNF’ed, but I just took it at face value and enjoyed it for the light, easy read that it was. Is Kya’s situation unrealistic? Absolutely. Are there excessive descriptions of nature alongside weak dialogue and flat characters? Definitely. But there was also enough heart in the story itself that I could suspend my disbelief and just appreciate the beauty of the marsh.
Invisible Cities is one of the strangest, most haunting books I’ve ever read. There’s no particular plot; every page is just a short, lyrical description of an imaginary city Marco Polo passes on his travels. Some of these cities are more realistic than others – marble palaces, frangipane trees, bustling markets. Others are completely impossibly and theoretical – a city delicately and entirely strung up between two cliff walls that knows one day it will fall into the abyss; a city that breathes earth instead of air; a city that is so crowded that people blot out the place and even the sky.
One of my favorite cities is Beersheba, whose residents believe in a heavenly, celestial city above made of gold and silver and glittering diamond, and a hell-like city underground made of waste and tar and trash. They strive every day to worship the city above and abhor the city below; but what they don’t know is that their greed and superficiality has blinded them, and that the city below is actually the one made of gold, while the city above is made of trash.
Intent on piling up its carats of perfection, Beersheba takes for virtue what is now a grim mania to fill the empty vessel of itself; the city does not know that its only moments of generous abandon are those when it becomes detached from itself, when it lets go, expands. Still, at the zenith of Beersheba there gravitates a celestial body that shines with all the city’s riches, enclosed in the treasury of cast-off things: a planet aflutter with potato peels, broken umbrellas, old socks, candy wrappings, paved with tram tickets, fingernail cuttings and pared calluses, eggshells. This is the celestial city, and in its heaven long-tailed comets fly-past, released to rotate in space from the only free and happy action of the citizens of Beersheba, a city which, only when it shits, is not miserly, calculating, greedy.
Even though it’s short (only 160 pages or so), it isn’t the type of book you read in one sitting. I found that I could only digest a few cities at a time, in order to think about them more closely and visualize them in my mind. Maybe that’s how it was meant to be read – slowly, savoring every city individually and appreciating all the beauties or horrors of each one.